{"id":5558,"date":"2026-06-10T21:26:45","date_gmt":"2026-06-10T19:26:45","guid":{"rendered":"https:\/\/www.talentdrama.cz\/?page_id=5558"},"modified":"2026-06-17T13:52:57","modified_gmt":"2026-06-17T11:52:57","slug":"dialogicke-jednani","status":"publish","type":"page","link":"https:\/\/www.talentdrama.cz\/en\/dialogicke-jednani\/","title":{"rendered":"Dialogical Acting with the Inner Partner"},"content":{"rendered":"<div class=\"lazyblock-bannersquare-txx2n wp-block-lazyblock-bannersquare\"><div class=\"bannersquare hrebiky tmave ui-sortable-handle\" type=\"bannersquare\" style=\"height:100%;position: relative; left: 0px; top: 0px;\">\n    <div class=\"tl\"><\/div>\n    <div class=\"tr\"><\/div>\n    <div class=\"bl\"><\/div>\n    <div class=\"br\"><\/div>\n    <div class=\"obsah\" type=\"obsah\">\n        <p id=\"isPasted\" style=\"text-align: center;\"><strong>Interview: Dialogical Acting is a specific form of active imagination<\/strong><\/p>\n        <p style=\"text-align: center;\">Interview with Assoc. Prof. PhDr. Vladim\u00edr Chrz, Ph.D. from the Institute of Psychology of the Czech Academy of Sciences, psychologist, researcher, and educator.<\/p>\n        <p style=\"text-align: center;\">I met Vladim\u00edr at the Department of Authorial Creativity and Pedagogy at DAMU. We attended Ivan Vysko\u010dil\u2019s Dialogical Acting classes together\u2014he as a psychologist, me as a theatre maker and educator. Later, we happened to keep crossing paths again during meditation sessions in Kol\u00edn or at lectures with Tom\u00e1\u0161 Hal\u00edk in the crypt of the Church of St. Salvator. It felt as if life kept guiding us along similar routes.\n\nAt one point, we even considered creating therapeutic groups focused on authorial creativity. We are both deeply interested in how creativity and artistic making can heal the human soul\u2014its existential depth, the phenomenon of play and creation itself. What is it about play and creative action that is so essential and foundational that it awakens and transforms a person into a living, joyful, and creative being?\n\nPerhaps a human being simply experiences themselves as a creative and acting subject, with an infinite potential\u2014no longer a passive puppet of systems or a plaything of fate, but an active co-creator of the unfolding of the world.\n\nThis is why, in this June issue, we bring you an extended interview with psychologist, academic, educator, and a deeply curious and kind human being Vladim\u00edr Chrz, on the themes of images, dialogical acting, meditation, imagination, psychosomatics, and creation. <\/p>\n        <p style=\"text-align: center;\">Thank you for the interview, Erika Merjav\u00e1<\/p>\n        <p style=\"text-align: center;\"><strong>June 2025<\/strong><\/p>\n          <p class=\"btn\"><a href=\"https:\/\/www.talentdrama.cz\/en\/dialogicke-jednani-je-specificky-zpusob-aktivni-imaginace\/\">More<\/a><\/p>\n    <\/div>\n<\/div><\/div>\n\n\n<p><\/p>\n\n\n\n<p><a href=\"https:\/\/www.talentdrama.cz\/en\/krobot\/\" title=\"\">Miroslav Krobot on Dialogical Acting, in a letter to Prof. Ivan Vysko\u010dil included in his book Ne\u010d\u00edst.<\/a><\/p>\n\n\n\n<p>Dialogical Acting was developed by Prof. Ivan Vysko\u010dil through many years of research into free dramatic play. It is a core discipline in our approach to acting training, authorial creation, and theatre. It focuses on how, within free dramatic play, one can rediscover childlike curiosity, spontaneity, and playfulness \u2013 to be non-purposeful, spontaneous, and to play and create.<\/p>\n\n\n\n<p><strong>Dialogical Acting with the Inner Partner&nbsp;<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Dialogical Acting is the freest and most open form of dramatic play \u2013 a solo improvisation without a given task, a dialogue with the \u2018inner partner\u2019, the one within us with whom we communicate.<\/li>\n\n\n\n<li>We call it complex because it connects the psyche with the body, voice, and speech \u2013 enabling us to become a unified, whole person.<\/li>\n\n\n\n<li>Dialogical Acting takes place in a public space, in front of a supportive audience and what is called receptive attention. \u2018Receptive\u2019 means, from its point of view, accepting.<\/li>\n\n\n\n<li>The person exploring the space discovers themselves and communication. It is a form of self-talk, like a child playing alone or a person having an inner conversation with themselves. To consciously correct, to act spontaneously, to try, to experiment. According to Vysko\u010dil, this is a liberating process, because it does not remain within a single circle of what has already been found, but opens up new possibilities \u2013 and in this he sees creativity.<\/li>\n<\/ul>\n\n\n\n<p><strong>Dialogical Acting and Age Groups<\/strong><\/p>\n\n\n\n<p>In young children, Dialogical Acting can help overcome fear, sustain their sense of self and their actions in front of an audience, and enable them to play fully and with engagement rather than performing or putting on a display. It helps them remain in openness, freedom, and playfulness even at a later age. They learn to see life and creative work as something unfinished, full of possibilities, without fear of unexpected situations. They are not helpless when there is no given task. Dialogical Acting teaches children to work with fear, tension, freedom, and openness.<\/p>\n\n\n\n<p><strong>What impact does Dialogical Acting have on the education of actors, artists, and creators?<\/strong><\/p>\n\n\n\n<p>An actor or any other artist or creator needs relationship, communication, and dialogue. A photographer and a painter need to be in dialogue with the image, an actor with their acting partner, the space, and the atmosphere, and a screenwriter with language. It is about groundedness \u2013 so that the artist does not end up living and creating for the expectations of others or for success, because then the authenticity of the artist is lost.<\/p>\n\n\n\n<p><strong>What can Dialogical Acting be used for?<\/strong><\/p>\n\n\n\n<p><strong>\u2013&nbsp;<\/strong>relaxation, concentration, perception, perspective, working with fear, uncertainty and stage fright, interest and passion for play, groundedness, curiosity, openness, freedom, patience, listening, dialogue and communication, critical thinking, empathy, dignity and respect, responsibility, truthfulness, artistic and acting authenticity, working with mistakes and failure, natural public presence, improvisational skills, playfulness, humour, authentic expression of body, voice and speech, and the ability to remain in a state of not-knowing<\/p>\n\n\n\n<p><strong>How is Dialogical Acting practiced?<\/strong><\/p>\n\n\n\n<p>It is practiced regularly, usually once a week (60\u2013120 minutes). In a simple room, an empty space is created for the person performing in front of an audience (receptive attention) sitting on chairs. During the course, each audience member becomes a performer. The maximum number of participants is 12, the minimum is 2.\n\nThe teacher sits on the left side of the space, among the audience. They observe and provide comments and feedback on the work that has taken place. No one else gives feedback.\n\nDuring approximately the first three months, the performer experiences a sense of chaos, which they gradually learn to work with and begin to understand what their actions mean to them personally. There are three basic rules for the performer: (1) do not look at the audience, (2) do not invent or fabricate anything \u2013 enter the space with nothing, (3) do not use props.\n\nAn essential part of the self-experience is a written reflection, which the performer completes at home after the session. In it, they reflect on the experience, highlight moments of further possibilities, and directions for development. The aim is to become aware of the process that has taken place.<\/p>","protected":false},"excerpt":{"rendered":"<p>Miroslav Krobot o Dialogick\u00e9m jedn\u00e1n\u00ed jako dopis Prof. Ivanu Vysko\u010dilovi v r\u00e1mci jeho knihy Ne\u010d\u00edst. Dialogick\u00e9 jedn\u00e1n\u00ed objevil prof. Ivan Vysko\u010dil po dlouholet\u00e9m v\u00fdzkumu voln\u00e9 dramatick\u00e9 hry. Je to st\u011b\u017eejn\u00ed a z\u00e1sadn\u00ed discipl\u00edna v na\u0161em pojet\u00ed studia herectv\u00ed, autorsk\u00e9 tvorby a divadla. Jde o to, jak v r\u00e1mci voln\u00e9 dramatick\u00e9 hry v sob\u011b znovu objevit &#8230; <a title=\"Dialogical Acting with the Inner Partner\" class=\"read-more\" href=\"https:\/\/www.talentdrama.cz\/en\/dialogicke-jednani\/\" aria-label=\"Read more about Dialogick\u00e9 jedn\u00e1n\u00ed\">Read more<\/a><\/p>","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"episode_type":"","audio_file":"","podmotor_file_id":"","podmotor_episode_id":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","filesize_raw":"","date_recorded":"","explicit":"","block":"","itunes_episode_number":"","itunes_title":"","itunes_season_number":"","itunes_episode_type":"","footnotes":""},"class_list":["post-5558","page","type-page","status-publish"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.8 - aioseo.com -->\n\t<meta name=\"description\" content=\"Miroslav Krobot o Dialogick\u00e9m jedn\u00e1n\u00ed jako dopis Prof. Ivanu Vysko\u010dilovi v r\u00e1mci jeho knihy Ne\u010d\u00edst. Dialogick\u00e9 jedn\u00e1n\u00ed objevil prof. Ivan Vysko\u010dil po dlouholet\u00e9m v\u00fdzkumu voln\u00e9 dramatick\u00e9 hry. Je to st\u011b\u017eejn\u00ed a z\u00e1sadn\u00ed discipl\u00edna v na\u0161em pojet\u00ed studia herectv\u00ed, autorsk\u00e9 tvorby a divadla. 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